
Swimming the gauntlet
Print Price: £485.56Original Price: £1,180.00
Print Price: £463.74
Original Price: £1,290.00
This art piece is created by the artist for the the advancement and funding of solutions toward the ecological problems of Ghost Fishing.
Fishing gear is one of the most damaging forms of plastic pollution as it is designed to trap marine life. It entangles marine mammals and fishes, smothers habitats and even threatens human life. There is also a subsequent impact of ghost fishing, where discarded nets and pots trap one organism, which then acts as a baited trap enticing other animals in.
We know that fishing gear is one of the most commonly found items on beaches and that it contributes nearly half of the floating plastic found in the Pacific gyre, but we do not have a robust estimate of how much fishing gear is lost on a global scale and where the most problematic regions are. This information is crucial for improving management and mitigation of this plastic waste. We need to assess what data we have available in order to understand where to focus our reduction efforts.
We welcome solutions that target this problem both at a practical level and research level. We are keen to hear proposed solutions from companies such as diving organisations or NGO’s in the ocean sector, that have existing operations. Academics focusing on marine sciences are also encouraged to put forward detailed research proposals that will positively add value to this vast challenge.
Category | Ocean |
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Original size | |
Print Size | 40.6 x 50.8cm |
Material | Acrylic on repurposed canvas |
Medium | Painting |
Rarity | Unique |
Signature | Signed in bottom corner of painting |
Clare creates illustrative paintings depicting still life and landscapes using watercolour and Acrylic mediums. Her art is inspired by the natural world and nature in all forms from tropical birds to the humble hedgehog.
In a world which technology capsulises our daily living, natures movement, sounds and colour provide the escape and grounding we all need to reconnect ourselves to find peace.
Each painting she creates is with the intention of recreating that moment of escape.
Based in Kent, England she is surrounded by beautiful countryside, farmland and extensive coastline – having all the inspiration she needs on her doorstep and can be seen wondering the footpaths locally every day.
Her workshop is the home office, cluttered with drawings and surrounded by works.
She was told as soon as she found her grip as a baby she started scribbling, much to Mums despair as the furniture was one of her preferred canvases. Her Dad, who is a very skilled artist coached Clare and encouraged her to be patient with mistakes and helped her develop skills, as well as offering critiques when required.
Clare couldn’t ever imagine not being able to draw and paint but sadly this became a reality as she was diagnosed with cancer. The chemotherapy drugs had a profound impact on her nervous system, and she couldn’t hold a brush. Fast forward a year and with a lot of persistence her brushes are back in hand; her style of painting has become a lot looser than before, and she is enjoying the freer movement of strokes. She is a firm believer that with every problem we face there is that opportunity to change and grow. Like nature our lives and the paths they take simply change with the seasons.
Dr. Bethan Lang is a Senior Sycomore scientist and our Lead Marine Scientist. Bethan is a marine biologist from the UK, who completed her PhD a stone’s throw from the Great Barrier Reef in Townsville, Australia. Here, Bethan studied the impacts of climate change on the infamous coral-feeding crown-of-thorns starfish, while also assisting with research projects on the ecology of epaulette sharks and other fishes.
Bethan has also worked on kelp and seagrass restoration and seahorse conservation projects in Sydney, as well as coral reef conservation projects in Indonesia, Madagascar and Honduras. Bethan is an avid diver, sailor, and general ocean lover.
Dr Karin Kvale is an Earth System modeller working on the interactions between plastic pollution and climate science. She has a background in Environmental Science (BSc. from Indiana University, USA), Atmospheric Science (MSc. from University of Victoria, Canada), and Climate Science (PhD. from University of New South Wales, Australia). Prior to moving to New Zealand she was a researcher at the GEOMAR Helmholtz Centre for Ocean Research in Kiel, Germany, where she worked on biogeochemical model parameter optimisation, climate dynamics and microplastics modelling. In 2021 she moved to New Zealand and currently runs her own consultancy for basic and applied climate research
Xiaoyan Zhou holds a Ph.D in physical geography from the State Key Laboratory of Estuarine and Coastal Research at East China Normal University. She’s currently a postdoctoral researcher at the University of Padova, where she focuses on coastal environmental studies.
Her addresses key environmental challenges in coastal regions, which play vital roles in filtering pollutants from land, buffering extreme marine events, and providing essential habitats for aquatic life. She applies an interdisciplinary approach, combining fieldwork, hydrodynamics, experimental analysis and biodiversity assessment.
Her work has resulted in 14 publications in peer-reviewed journals in the related field. With a strong scientific foundation and the ability to synthesize knowledge across disciplines, she is committed to addressing pressing marine environmental issues and to contributing meaningfully to diverse marine science projects.
From early on in my academic journey, I’ve been driven to find the how and why of intricate marine ecosystems. With a background in both ecology and marine biology, I like to focus on the bigger picture as well as the individual components that need to work together. I’m passionate about finding innovative solutions and increasing engagement for these dynamic topics, and dedicated to protect our nature via science, policy and directed action.
I’m a Physical Oceanographer with a strong background in climate science and environmental research, with a particular focus on polar regions. My expertise spans sea-air-ice interactions, ocean dynamics, and climate data analysis, contributing to both academic research and applied oceanography.
My oceanography background has equipped me with broad knowledge of marine science across diverse disciplines, including Biology, Geology, Physics, Chemistry, and Human-Ocean interactions.
It is hand made, created and produced by a Sycomore artist.
The art piece is created specifically for the environmental problem as described in the collection details.
If you are buying the original master piece: the artist has held and protected this art piece since its creation and will be dispatched to you if your offer is accepted.
Prints sales end when scientists approve a solution to the problem. In this respect it becomes limited time bounded by solution implementation – unique to the Sycomore way.
A certificate of authenticity (COA) is a document from an authoritative source that verifies the artwork’s authenticity.
While many COAs are signed by the artist, others will be signed by the representing gallery or the printmaker who collaborated with the artist on the work. All Sycomore art is signed and approved by Sycomore.
All art owners will be registered on the Sycomore ownership ledger at Sycomore. Certificates will be sent directly with the art piece.