
This art piece is created by the artist for the the advancement and funding of solutions toward the ecological problems of Ghost Fishing.
Fishing gear is one of the most damaging forms of plastic pollution as it is designed to trap marine life. It entangles marine mammals and fishes, smothers habitats and even threatens human life. There is also a subsequent impact of ghost fishing, where discarded nets and pots trap one organism, which then acts as a baited trap enticing other animals in.
We know that fishing gear is one of the most commonly found items on beaches and that it contributes nearly half of the floating plastic found in the Pacific gyre, but we do not have a robust estimate of how much fishing gear is lost on a global scale and where the most problematic regions are. This information is crucial for improving management and mitigation of this plastic waste. We need to assess what data we have available in order to understand where to focus our reduction efforts.
We welcome solutions that target this problem both at a practical level and research level. We are keen to hear proposed solutions from companies such as diving organisations or NGO’s in the ocean sector, that have existing operations. Academics focusing on marine sciences are also encouraged to put forward detailed research proposals that will positively add value to this vast challenge.
| Category | Ocean |
|---|---|
| Original size | 29.7 x 42cm |
| Print Size | 29.7 x 42cm |
| Material | Procreate |
| Medium | Digital Art |
| Signature | Signed in bottom corner of painting |
Mopher is a self taught 26 yr old artist based in London creating hand drawn digital illustrations, frame by frame animation and alt-soul music under the name ‘Mopher’.
Whilst studying Music Production at university Mopher began working freelance as an illustrator creating album artwork and posters for musicians like Maxi Jazz (Faithless), Sophie Faith, and Nectar Woode. Working as an assistant engineer in different music studio’s around London he simultaneously learnt digital illustration teaching himself 2D frame by frame animation as well so as to deliver cohesive projects spanning multiple disciplines.
Mopher is frequently releasing music, animation and art projects revolving around themes of self criticism, the shared human experience and the environments that affect us.






Dr. Bethan Lang is a Senior Sycomore scientist and our Lead Marine Scientist. Bethan is a marine biologist from the UK, who completed her PhD a stone’s throw from the Great Barrier Reef in Townsville, Australia. Here, Bethan studied the impacts of climate change on the infamous coral-feeding crown-of-thorns starfish, while also assisting with research projects on the ecology of epaulette sharks and other fishes.
Bethan has also worked on kelp and seagrass restoration and seahorse conservation projects in Sydney, as well as coral reef conservation projects in Indonesia, Madagascar and Honduras. Bethan is an avid diver, sailor, and general ocean lover.
Dr Karin Kvale is an Earth System modeller working on the interactions between plastic pollution and climate science. She has a background in Environmental Science (BSc. from Indiana University, USA), Atmospheric Science (MSc. from University of Victoria, Canada), and Climate Science (PhD. from University of New South Wales, Australia). Prior to moving to New Zealand she was a researcher at the GEOMAR Helmholtz Centre for Ocean Research in Kiel, Germany, where she worked on biogeochemical model parameter optimisation, climate dynamics and microplastics modelling. In 2021 she moved to New Zealand and currently runs her own consultancy for basic and applied climate research
I’m a Physical Oceanographer with a strong background in climate science and environmental research, with a particular focus on polar regions. My expertise spans sea-air-ice interactions, ocean dynamics, and climate data analysis, contributing to both academic research and applied oceanography.
My oceanography background has equipped me with broad knowledge of marine science across diverse disciplines, including Biology, Geology, Physics, Chemistry, and Human-Ocean interactions.
From early on in my academic journey, I’ve been driven to find the how and why of intricate marine ecosystems. With a background in both ecology and marine biology, I like to focus on the bigger picture as well as the individual components that need to work together. I’m passionate about finding innovative solutions and increasing engagement for these dynamic topics, and dedicated to protect our nature via science, policy and directed action.
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