
Clara Lacy has a BA Hons in Illustration from Camberwell College of Art and has worked as an Artist and Illustrator in London, New York, Hong Kong and Sydney.
Working with titles including Bloomberg, The Telegraph’s Luxury Magazine, Highsnobiety, i:D, Noble Rot, and with brands such as Burberry, Selfridges, Heineken, Channel 4, Roundel London and Hostem.
Exhibiting in solo shows at James Gorst Architects, London, the Grant Museum, London, The Town Hall Hotel, London, and Brunswick Street Gallery, Melbourne as well as group shows including The Faberge Big Egg Hunt.
Clara’s work is inspired by her environment, in particular the natural world around her, rendering in pencil and watercolour her fascination with the beauty and strangeness of biology and evolution.
Print Price: £100
Original Price: £1,000
In Colombia, cacao represents more than a crop — it is a symbol of resilience, regeneration, and peace building in rural communities affected by conflict. My work explores cacao as both an ecological and social system, shaped by relationships between land, labor, and biodiversity.
Central to this story are the tiny pollinators that make cacao possible. Unlike many plants, cacao depends on small forest insects such as midges, whose survival relies on humid, healthy ecosystems. These often unseen pollinators reflect the delicate interdependence between humans and the natural world.
Through this intricately drafted piece of work, I consider how care, collaboration, and restoration exist across species and landscapes, reminding us that even the smallest forms of life sustain entire communities and futures.
| Category | Empowering Women Farmers |
|---|---|
| Medium | Graphite on paper |
| Material | Pencil |
| Original size | |
| Rarity | Unique |
| Signature | Hand signed on back of painting |
| Frame | Unframed |
Clara Lacy has a BA Hons in Illustration from Camberwell College of Art and has worked as an Artist and Illustrator in London, New York, Hong Kong and Sydney.
Working with titles including Bloomberg, The Telegraph’s Luxury Magazine, Highsnobiety, i:D, Noble Rot, and with brands such as Burberry, Selfridges, Heineken, Channel 4, Roundel London and Hostem.
Exhibiting in solo shows at James Gorst Architects, London, the Grant Museum, London, The Town Hall Hotel, London, and Brunswick Street Gallery, Melbourne as well as group shows including The Faberge Big Egg Hunt.
Clara’s work is inspired by her environment, in particular the natural world around her, rendering in pencil and watercolour her fascination with the beauty and strangeness of biology and evolution.




Alexandra Haddad


A Mexican environmental scientist committed to promoting justice for all living beings in the face of unsustainable development. He holds a bachelor’s degree in Environmental Sciences and Health, as well as a master’s and PhD in Environmental Sciences. He currently serves as an associate researcher at the Universidad Autónoma de San Luis Potosí (Mexico), and work as an environmental consultant in the implementation of the Minamata Convention in Mexico.
For nearly a decade Carlos’s work has focused on environmental issues related to chemical pollution from mining and metallurgical activities. He has extensive experience assessing the human health impacts of mercury and arsenic pollution in artisanal mercury mining sites. He has also contributed to ecological risk assessments in areas affected by primary mercury mining and arsenic-copper smelting, many of which are in important natural protected areas. Throughout his academic career, he has published several scientific papers in international journals, participated in national congresses on toxicology and biological conservation, and supported the academic community by supervising undergraduate research projects.
His current approach is grounded in a human and nature rights perspective. He believes that protecting the rights of all living beings is essential, not only to ensure the survival of both human and non-human life in the face unsustainable development, but also to guarantee that all beings can live dignified lives. In this context, and as a member of Sycomore, Carlos believes that the integrating art and science is an innovative and powerful way to help shift away from destructive human development towards a model that respects all life on Earth.
Paula’s early years were spent in Senegal, Angola, Venezuela, and Spain, before continuing her life journey in Germany and Switzerland. Growing up immersed in such diverse cultures and landscapes, she witnessed firsthand the interconnected and multi-layered challenges faced by both people and forests—and the urgent need to protect them.
Motivated by these experiences, Paola pursued a Master’s degree in Forestry and Environmental Engineering at the Technical University of Madrid (UPM, Spain), followed by a Ph.D. in Civil and Environmental Engineering from the Federal Institute of Technology Lausanne (EPFL, Switzerland). Over more than a decade, she contributed as a scientist at Swiss research institutes like WSL and Agroscope, exploring the impacts of climate change on forests and agriculture.
Recognising the gap between scientific research and practical business solutions, Paula transitioned into sustainability consulting at Quantis. There, she helped forestry and food & beverage companies move beyond business as usual to business at its best—operating within planetary boundaries. Her expertise includes forest carbon accounting, no-deforestation policies, nature-based climate solutions and developing innovative, science-based strategies. She has partnered with global organisations such as WWF, the World Cocoa Foundation and the Science Based Targets initiatives for climate (SBTi) and nature (SBTN).
Beyond her scientific and consulting work, Paola is passionate about empowering the next generation. She currently volunteers as a facilitator for The Earth Foundation in Geneva, empowering teenagers worldwide to transform their sustainability ideas into meaningful action within their communities. Raised in a family of artists and driven by a passion to make science accessible, Paula now collaborates with Sycomore to harness the power of art in fixing the world. Through vivid creativity and compelling storytelling, she believes art can awaken hearts, inspire change, mobilise resources, and unite us all in the urgent quest to address our planet’s climate and biodiversity crises.
IPO stands for Impact Provenance Original
it’s the score that tracks the environmental purpose and long-term impact connected to this artwork, created through Sycomore’s patented impact system.
An original, hand-crafted artwork created exclusively for the environmental challenge described in this collection.
The artist has personally safeguarded it since completion and releases it only when your offer is accepted, ensuring true rarity and authenticity.
Each Unique Piece is permanently recorded in Sycomore’s Impact Provenance & Ownership (IPO)™ system, a secure, patent-protected ledger available only through Sycomore, certifying origin, mission, and ownership—your lasting proof of both artistic value and environmental impact.
Your artwork is accompanied by a Certificate of Authenticity & Ownership, the definitive proof that it is an original Sycomore creation.
Each certificate carries the Dual Signature™—personally signed by the artist and by the scientist or scientists whose research inspired the work.
This trademarked, patent-protected system is unique to Sycomore, creating a bond between creativity and science found nowhere else.
Every owner and artwork is permanently recorded in the Sycomore Ownership Ledger, our secure, impact-driven registry.