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Nadine Senior
Print Price: £102.85
Original Price: £890.00
This art piece is created for advancing and funding solutions for the huge problems we face with fast Fashion and mitigate the negative effects it creates to our ecosystems.
The fashion industry is responsible for 8-10% of global emissions – and British shoppers buy more clothes than any others in Europe.
The term describes the quick turnover of fashion trends and the move towards cheap, mass-produced clothing – with new lines constantly released.
Wardrobes are “overflowing with clothes”, argues fast fashion campaigner Elizabeth Cline. Oxfam research suggests the average Briton has 57 unworn items.
Producing clothes uses a lot of natural resources and creates greenhouse gas emissions which are responsible for climate change.
Overall, the fashion industry is responsible for 8-10% of global emissions, according to the UN – more than the aviation and shipping combined.
And global clothes sales could increase by up to 65% by 2030, the World Bank suggests.
Most of fashion’s environmental impact comes from the use of raw materials:
The industry also uses a lot of water. Imagine those small half litre bottles we drink. Well, to manufacture a single t shirt requires 2,700 litres of water – that’s 5,400 bottles. To manufacture a single pair of jeans requires 10,000 litres of water – that’s 20,000 bottles. To manufacture a single pair of cotton socks require 600 litres of water – that’s 1,200 bottles of water.
UK shoppers buy more clothes per person than those in any other country in Europe, according to MPs.
Young people top that list. A recent survey by environmental charity Hubbub found that more than two-fifths of 16 to 24-year-olds buy clothes online at least once a week, compared to 13% on average for other age groups.
Several firms have launched “eco” collections which use organic and recycled materials, including H&M Conscious, Adidas x Parley and Zara Join Life.
But critics argue such collections don’t solve the biggest problem – overconsumption.
We welcome proposed solutions that tackle this sector in multiple areas including manufacturing, supply chain and recycling.
Category | Fast Fashion |
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Original size | |
Print Size | 50.8 x 76.2cm |
Medium | Painting |
Material | Acrylics on canvas |
Rarity | Unique |
Signature | Signed in bottom corner of painting |
A Finnish artist with an international background. Nadine holds a Master’s in Fine Art and engages passionately with oil, acrylic, and sculpture, exploring themes that examine the intersection of identity, nature, and cultural narratives through her chosen mediums and exploring the experiences that shape our understanding of the world.
Nadine found profound inspiration in a photography exhibition that focused on environmental issues, as the striking aesthetics and compelling storytelling present within the works captured the urgency of these concerns and significantly influenced my artistic direction.
Shortly after graduating, she undertook a research paper on the Sustainable Development Goals, which continues to shape her artistic approach. She aims to create works that are not only visually striking but also relevant and relatable, utilising nature and organic materials to emphasise pressing issues.
Her artistic journey was greatly enhanced by a scholarship from the Swedish Cultural Foundation, which enabled her to participate in an artist residency at AiR Frosterus Artist Residence in Finland. This experience centred on a project exploring the connections between language and culture, culminating in a significant exhibition inspired by the interplay of nature, people, and language.
Her hobby of weaving further deepens her connection with materiality, enriching my creative process and enhancing my exploration of visual language.
With a PhD in Sustainable Resource Management and a robust background in sustainability, problem-solving, and circular economy principles, Dr Jack Olly is well-prepared to guide Sycomore in addressing the pressing challenges within the fast fashion industry.
His academic and professional experiences have equipped Jack with a comprehensive understanding of issues such as Fast fashion’s rapid production cycles, disposable nature and its significant environmental and ethical impacts, including textile waste, water pollution, carbon emissions, and exploitative labour practices.
During his doctoral research, Jack focused on evaluating sustainable resource management practices, which provided him with insights into implementing effective solutions within complex systems.
In his role as a lecturer at Bournemouth University, he leads master’s level units and supervised research projects emphasising sustainable development goals. This position enhances his ability to distill complex scientific information into clear, actionable insights, a skill crucial for developing science-backed briefing documents on issues like textile waste, water pollution, and carbon emissions.
As an ecological consultant for Save Our South Coast Alliance (SOSCA), Jack authored an ecological report that successfully opposed a development project threatening local biodiversity. He volunteers with the Royal Society for the Protection of Birds (RSPB) at Pagham Harbour involved hands-on conservation efforts, reinforcing his commitment to sustainability and providing practical experience in implementing nature-based solutions.
Ph.D. in Biological Sciences and professor of Ecology and Conservation Biology at the National University of Rosario, Argentina. Her work focuses on wetland ecology and biodiversity conservation, with an emphasis on analyzing ecological responses to environmental change. She is part of the Sycomore – Fast Fashion group, where she brings a critical ecological perspective on the environmental impacts of the fashion industry and promotes sustainable solutions grounded in science and conservation
From early on in my academic journey, I’ve been driven to find the how and why of intricate marine ecosystems. With a background in both ecology and marine biology, I like to focus on the bigger picture as well as the individual components that need to work together. I’m passionate about finding innovative solutions and increasing engagement for these dynamic topics, and dedicated to protect our nature via science, policy and directed action.
It is hand made, created and produced by a Sycomore artist.
The art piece is created specifically for the environmental problem as described in the collection details.
If you are buying the original master piece: the artist has held and protected this art piece since its creation and will be dispatched to you if your offer is accepted.
Prints sales end when scientists approve a solution to the problem. In this respect it becomes limited time bounded by solution implementation – unique to the Sycomore way.
A certificate of authenticity (COA) is a document from an authoritative source that verifies the artwork’s authenticity.
While many COAs are signed by the artist, others will be signed by the representing gallery or the printmaker who collaborated with the artist on the work. All Sycomore art is signed and approved by Sycomore.
All art owners will be registered on the Sycomore ownership ledger at Sycomore. Certificates will be sent directly with the art piece.